𝐎𝐝𝐞 𝐭𝐨 πŽπ›π¬πžπ¬π¬π’π¨π§ (π‹π’π¦π’π­πžπ 𝐄𝐝𝐒𝐭𝐒𝐨𝐧) | π‚πšπ©π­πšπ’π§ π€π‘πšπ› 𝐏𝐨𝐫𝐭𝐫𝐚𝐒𝐭 πŸπŸ–" 𝐱 πŸπŸ’" 𝐏𝐫𝐒𝐧𝐭

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Ahab Grey Head Detail Store.jpg
Ahab Store2.jpg
Ahab Grey Head Detail Store.jpg

𝐎𝐝𝐞 𝐭𝐨 πŽπ›π¬πžπ¬π¬π’π¨π§ (π‹π’π¦π’π­πžπ 𝐄𝐝𝐒𝐭𝐒𝐨𝐧) | π‚πšπ©π­πšπ’π§ π€π‘πšπ› 𝐏𝐨𝐫𝐭𝐫𝐚𝐒𝐭 πŸπŸ–" 𝐱 πŸπŸ’" 𝐏𝐫𝐒𝐧𝐭

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Watch How the Original Sculpt Was Made Here


 
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Ode to Obsession Process

Aside from his iconic whalebone peg leg, Herman Melville's original Ahab's described as having a scorched face, grey hair, and a scar that runs the length of his face and body, which I wanted to capture in my interpretation. I've a habit of sculpting characters with sharp, angular features, and large, pointy noses, and my Captain Ahab sculpt's no exception. I was really hoping to capture the stark raving madness that seeths just below the surface as Ahab stares out at the world. Captain Ahab stands holding his harpoon, tangled, bound, and a noose made by the doom he’s bent on pursuing.